Tuesday, October 21, 2014

Notable Salinger Quotes

The Catcher in the Rye:

Holden Caulfield...

 “What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.”

“Don't ever tell anybody anything. If you do, you start missing everybody.”

“I'm quite illiterate, but I read a lot. ”
“Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around - nobody big, I mean - except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff - I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be.”

“I am always saying "Glad to've met you" to somebody I'm not at all glad I met. If you want to stay alive, you have to say that stuff, though.”

“That's the thing about girls. Every time they do something pretty, even if they're not much to look at, or even if they're sort of stupid, you fall in love with them, and then you never know where the hell you are. Girls. Jesus Christ. They can drive you crazy. They really can.”

“I like it when somebody gets excited about something. It's nice.”

“Mothers are all slightly insane.”

“It's funny. All you have to do is say something nobody understands and they'll do practically anything you want them to.”

“When you're dead, they really fix you up. I hope to hell when I do die somebody has sense enough to just dump me in the river or something. Anything except sticking me in a goddam cemetery. People coming and putting a bunch of flowers on your stomach on Sunday, and all that crap. Who wants flowers when you're dead? Nobody.”

“And I have one of those very loud, stupid laughs. I mean if I ever sat behind myself in a movie or something, I'd probably lean over and tell myself to please shut up.”



Mr. Antolini...
“Among other things, you'll find that you're not the first person who was ever confused and frightened and even sickened by human behavior. You're by no means alone on that score, you'll be excited and stimulated to know. Many, many men have been just as troubled morally and spiritually as you are right now. Happily, some of them kept records of their troubles. You'll learn from them—if you want to. Just as someday, if you have something to offer, someone will learn something from you. It's a beautiful reciprocal arrangement. And it isn't education. It's history. It's poetry.”

“The mark of the immature man is that he wants to die nobly for a cause, while the mark of the mature man is that he wants to live humbly for one.”

“Certain things, they should stay the way they are. You ought to be able to stick them in one of those big glass cases and just leave them alone.”

“I don't exactly know what I mean by that, but I mean it.”

“People are always ruining things for you.”

 “when you're not looking, somebody'll sneak up and write "Fuck you" right under your nose.”

“I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be. I know it's crazy.”

“I'm the most terrific liar you ever saw in your life. It's awful. If I'm on my way to the store to buy a magazine, even, and somebody asks me where I'm going, I'm liable to say I'm going to the opera. It's terrible.”

“All morons hate it when you call them a moron.”

“If a girl looks swell when she meets you, who gives a damn if she's late?”

“People never notice anything.”

“People always clap for the wrong reasons.”

 “The best thing, though, in that museum was that everything always stayed right where it was. Nobody'd move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and they're pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody's be different. The only thing that would be different would be you. Not that you'd be so much older or anything. It wouldn't be that, exactly. You'd just be different, that's all. You'd have an overcoat this time. Or the kid that was your partner in line the last time had got scarlet fever and you'd have a new partner. Or you'd have a substitute taking the class, instead of Miss Aigletinger. Or you'd heard your mother and father having a terrific fight in the bathroom. Or you'd just passed by one of those puddles in the street with gasoline rainbows in them. I mean you'd be different in some way—I can't explain what I mean. And even if I could, I'm not sure I'd feel like it.”



Franny and Zooey:
“I'm sick of just liking people. I wish to God I could meet somebody I could respect.”

“I'm sick of not having the courage to be an absolute nobody.”

“I’m just sick of ego, ego, ego. My own and everybody else’s. I’m sick of everybody that wants to get somewhere, do something distinguished and all, be somebody interesting. It’s disgusting.”

“And I can't be running back and fourth forever between grief and high delight.”

“An artist's only concern is to shoot for some kind of perfection, and on his own terms, not anyone else's.”



Raise High the Roof Beam, Carpenters & Seymour: An Introduction

“I'm a kind of paranoiac in reverse. I suspect people of plotting to make me happy.”

The Significance of the Bare-breasted Squaw

http://www.nytimes.com/2014/10/19/books/review/do-we-read-differently-at-different-ages.html?_r=0

In the above-referenced October 14, 2014, article in The New York Times Sunday Book Review, the article's author Daniel Mendelshon asserts that Holden is resisting adulthood, citing as evidence Holden's comment about a diorama exhibit with a bare-breasted squaw. Holden: “The best thing, though, in that museum was that everything always stayed right where it was. . . . You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, . . . and that squaw with the naked bosom would still be weaving that same blanket. Nobody’d be different. The only thing that would be different would be you.

Mendelshon says, "The all-too-evident regret in that last sentence is striking — one of the novel’s many markers of Holden’s problem, which is a refusal to grow up."


The above illustrates a common interpretation of Holden that I find hard to support in the actual text. Practically everyone, Youtube star John Green included, parses out this passage about "that squaw with the naked bosom" and Holden's liberal use of the word "phony" as concrete evidence Holden doesn't want to grow up, while overlooking a mountain of evidence to the contrary.

Holden smokes, drinks, lies about his age, critiques theater performances, frequents museums, hires a prostitute, repeatedly seeks out adult conversation with peer-level engagement, acts protectively toward children. How many examples are needed to prove Holden is experimenting with adulthood? Criticizing adults as phony means he's evaluating adult behavior, not resisting. This is engagement, not avoidance.

It shouldn't escape notice that Holden was eagerly embracing the candy of adulthood--sex, smoking, booze, nightclub music, dancing, flirting, dating, critiquing literature and the dramatic arts--while agonizing over the spinach of social hypocrisy and rationalization.

So, how DO we interpret Holden's comment about the bare-breasted Native American?

The key is in that last sentence, underlined above: "The only thing that would be different would be you." Holden is telling us he is aware that he is changing. This level of intuitive self-reflection is adult thinking. It also shows maturity to appreciate that some things don't change and never should, because they are part of our cultural identity.

Nostalgic awareness is mature thinking. Mature people want to protect and preserve cultural icons.

Think of the loss and disorientation after the Twin Towers were destroyed. Icons like the Statue of Liberty are signposts reminding us of who and where we are. Holden was feeling lost. In his agitated state he desperately needed that bare-breasted squaw to be right where she had always been. That's all he was getting at with his comment. Give the kid a break.

Holden pondered and wrote down the Wilhelm Stekel quote Mr. Antollini gave him: "The mark of the immature man is that he wants to die nobly for a cause, while the mark of the mature man is that he wants to live humbly for one." This is another sign he was putting a lot of serious thought into growing up.

To wax psychological, there are teenagers and even some adults, who resist growing up because their parents don't want to let go. They've been infantalized, encouraging dependency. Holden shows no evidence of having been infantalized. Quite the contrary, ending a kid to a military-style prep school could be evidence that Holden was too independent and possibly hard to control.

The evidence on the page shows that Holden was not resisting adulthood, he was aggressively embracing it.

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